{"id":278985,"date":"2026-03-26T11:12:26","date_gmt":"2026-03-26T15:12:26","guid":{"rendered":"https:\/\/livemusicblog.com\/?p=278985"},"modified":"2026-03-26T11:12:30","modified_gmt":"2026-03-26T15:12:30","slug":"hammock-the-second-coming-was-a-moonrise-album","status":"publish","type":"post","link":"https:\/\/livemusicblog.com\/hammock-the-second-coming-was-a-moonrise-album\/","title":{"rendered":"Hammock Announce New Album &#8216;The Second Coming Was A Moonrise&#8217;"},"content":{"rendered":"\n<p><em>The Second Coming Was A Moonrise<\/em> is <a href=\"https:\/\/www.hammockmusic.com\/\" type=\"link\" id=\"https:\/\/www.hammockmusic.com\/\">Hammock\u2019s<\/a> upcoming album. And it is yet another progression in the duo\u2019s twenty year expedition through powerful, emotion-evoking music. It includes work that features Wayne Coyne and Steven Drozd. The album combines close vocals with the duo&#8217;s sprawling cinematic soundscapes. Within the 10 tracks that make it up the album hovers between ambient sonics and emotional as well as reflective narrative. Ultimately it reaffirms Hammock as a band whose music is both ethereal and deeply human.<\/p>\n\n\n\n<p>According to a press release from Hammock&#8217;s management, <em>The Second Coming Was A Moonrise<\/em> is due out on May 22nd.<\/p>\n\n\n\n<p>In the meantime, the duo has shared two new tracks, including \u201cChemicals Make You Small\u201d, featuring\u00a0<strong>Wayne Coyne<\/strong>\u00a0and\u00a0<strong>Steven\u00a0Drozd<\/strong>.<\/p>\n\n\n\n<p>The Nashville duo\u2019s latest work continues a two-decade trajectory of expansive, atmospheric compositions that move between ambient minimalism and cinematic scale. Alongside \u201cChemicals Make You Small\u201d, they also unveil \u201cThe Unsetting Sun\u201d, a slow-building piece that reflects the album\u2019s more meditative and immersive qualities.<\/p>\n\n\n\n<p>\u201cChemicals Make You Small\u201d stands as one of the album\u2019s rare vocal-led moments &#8211; an intimate, hallucinatory reflection on dislocation and emotional overwhelm. Coyne\u2019s unmistakable voice drifts through lines of quiet unease, tracing the fragile space between memory and perception, while Drozd\u2019s contributions on keys deepen the track\u2019s <a href=\"https:\/\/livemusicblog.com\/how-different-genres-of-music-impact-focus-online-poker\/\" type=\"link\" id=\"https:\/\/livemusicblog.com\/how-different-genres-of-music-impact-focus-online-poker\/\">spectral, immersive quality<\/a>.<\/p>\n\n\n\n<p>Now over twenty years into their collaboration, Byrd and Thompson continue to refine a sound that resists easy classification.&nbsp;<em>\u201cBeatless ambient, post-rock, shoegaze, neoclassical\u201d<\/em>, Byrd says, noting the tags often applied to their work.&nbsp;<em>\u201cOr as some of our listeners call it, loud Hammock or quiet Hammock. What all our work has in common is a distinctive sonic blueprint.\u201d<\/em><\/p>\n\n\n\n<p><em>The Second Coming Was A Moonrise<\/em>&nbsp;extends that blueprint into new territory, at once one of their most intimate releases and one of their most expansive. Self-produced and mixed once again by long-time collaborator&nbsp;<strong>Emery Dobyns<\/strong>, the album unfolds across ten compositions that evoke a sense of deep space drift and emotional gravity, from the vast sweep of \u201cEverything You Love Is Buried In The Ground Or Scattered Into Space\u201d to the slow ascent of \u201cThe Unsetting Sun.\u201d<\/p>\n\n\n\n<p>Pre-order <em>The Second Coming Was A Moonrise<\/em> Album:<\/p>\n\n\n\n<iframe src = \"https:\/\/lnk.to\/tSCWaM\" height = \"600px\" width = \"100%\"><\/iframe>\n\n\n\n<p>The album\u2019s title and its thematic core, emerges from a formative moment in Byrd\u2019s youth. One night, under the influence of LSD, he and a friend became convinced they were witnessing the Rapture, their imagination shaped by their fundamentalist upbringing. The light in the sky, he later realised, was simply the moon rising.<\/p>\n\n\n\n<p><em>\u201cIf anyone grew up a fundamentalist, maybe this album can be a soundtrack for letting go of toxic shame and bad religion, while holding onto what is good, beautiful and true,\u201d<\/em>&nbsp;Byrd explains.&nbsp;<em>\u201cSeeing and experiencing a moonrise is a miracle in itself. How many times do we miss what\u2019s there or what\u2019s being said by someone because we assume something else is happening?\u201d<\/em><\/p>\n\n\n\n<p>As with much of Hammock\u2019s work, language is used sparingly but deliberately. Much of the album remains instrumental, built from layered guitars, choral textures, and drifting tones, but when words surface, they land with sharpened intent. Elsewhere, \u201cLike Sinking Stars\u201d draws from Thompson\u2019s experience of a tornado striking his home and studio.<\/p>\n\n\n\n<p>Across the album, additional contributions come from longtime collaborators, including&nbsp;<strong>Christine Byrd (Lumenette), Matt Kidd (Slow Meadow), Matthew Doty (Deserta), Chad Howat, and Jake Finch.<\/strong><\/p>\n\n\n\n<p>It all adds up to a body of work that continues Hammock\u2019s singular ability to balance weight and lightness, music that feels at once grounded and otherworldly, intimate and immense.<br \/><br \/>Reflecting on the album, Byrd describes it as\u00a0<em>\u201ca combination of what we\u2019ve done through the years, with maybe a little more solidity\u201d<\/em>, shaped by both personal change and a wider sense of global disquiet.<\/p>\n\n\n\n<p><em>\u201cSo much is missed and looked over due to the tunnel vision created by politics, social media, algorithms, silos of misinformation, and perpetual distraction,\u201d&nbsp;<\/em>he says.&nbsp;<em>\u201cI would hope this could be an album that sounds like sitting on the roof of a car, when being young was serious, and one night was like the end of the world. In a way, it\u2019s the same old Hammock, but new, and maybe even incautious.\u201d<\/em><\/p>\n\n\n\n<p><strong>Hammock are:<\/strong><\/p>\n\n\n\n<p>Marc Byrd &amp; Andrew Thompson<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-connect-with-hammock\">Connect with Hammock:<\/h2>\n\n\n\n<p><a href=\"https:\/\/prescriptionpr.cmail20.com\/t\/j-l-ydikojy-hitkdtkydi-k\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Website<\/a>\u00a0|\u00a0<a href=\"https:\/\/prescriptionpr.cmail20.com\/t\/j-l-ydikojy-hitkdtkydi-u\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Bandcamp<\/a>\u00a0|\u00a0<a href=\"https:\/\/prescriptionpr.cmail20.com\/t\/j-l-ydikojy-hitkdtkydi-c\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Twitter<\/a>\u00a0|\u00a0<a href=\"https:\/\/prescriptionpr.cmail20.com\/t\/j-l-ydikojy-hitkdtkydi-q\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Facebook<\/a>\u00a0|\u00a0<a href=\"https:\/\/prescriptionpr.cmail20.com\/t\/j-l-ydikojy-hitkdtkydi-a\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Instagram<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":668,"featured_media":278986,"comment_status":"open","ping_status":"closed","sticky":false,"template":"single-two-column.php","format":"standard","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"footnotes":""},"categories":[13849],"tags":[],"department":[13834],"class_list":["post-278985","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ambient","department-electronic"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.1 (Yoast SEO v26.8) - 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